The inverted Y defines structure as a principle. It is not a graphic sign, but a static choice that concentrates the form, distributes loads, and anchors the chair to space. The geometry gathers downward, generating an immediate sense of balance and stability.
The project originates from a conscious reduction. Clean lines, calibrated proportions, readable joints: the design does not seek effect, but precision. Wood constructs the object’s framework, defining its architectural character and its relationship with the surrounding environment.
Upon this structure rests the upholstered element, conceived as the core of comfort. Generous thicknesses and ergonomic forms naturally welcome the body, introducing a softness that dialogues with the rigor of the wood and enriches its gestural quality.
The result is a measured and stable chair, where technique and perception coincide. A balance between structure and hospitality, in which the act of sitting returns to its essence.
